Count Dracula: a legend is born
The king who was made a vampire by an agent
In 1896, an English Shakespearean actor, Henry Irving, had the bright idea to incarnate on stage an undead creature, a vampire, who would embody all the horrible characteristics mentioned in the existing myths about such creatures. Henry Irving’s agent, one Bram Stoker, published a book, one year later, with that creature as protagonist. He added some new features that he had heard about or imagined himself, like the absence of a shadow, the lack of a reflection in a mirror, the ability to transform into a wolf or bat at will, the command over animals, the habit of sleeping during the day and going about in the night, and the subsistence on the blood of his victims.
After these properties, Stoker had to find his undead protagonist a name and a place to live, or rather a haunt out of which he would sally by night. Stoker went to the British Museum, searched both travel guides and history textbooks, and found what he was after. Dracula was ready: He lived in his castle in the Carpathians, halfway between Transylvania and Bukovina, and went out every night to terrorise unfortunate peasants and pretty fair maidens.
The book was a huge success instantly upon publication, and Bram Stoker became rich and famous. Count Dracula immediately settled in the place of honour of metaphysical and horror literature. It was not just because of his terrifying characteristics, but his entire image. A lonesome, refined, charming creature, but at the same time diabolical and dangerous, coming from a distant, unknown and mysterious place, Dracula owes his success to his underlying eroticism and his mysterious character, that both completely overturn the entire Western status quo, the entire urban middle-class morality of the times. This keeps happening, in variations, till today.
Additionally, Stoker’s literary inventions, based on folk tales about dealing with all sorts of otherlings, are so imaginative that one cannot help being impressed. Dracula cannot stand garlic, has a fit at the sight of a cross, raves when he comes close to a Bible or an asperger, and holy water gives him blisters. He is nigh-impossible to kill: he has to be stabbed with a blade or a stake through the heart, while his victims do not really die horribly. After his bite they only feel slightly unwell, like post-coital lassitude, and when their human nature dies, they start their own vampiric careers. A process that incorporates passion, pain, ups and downs and mystery; a process that the imaginary Dracula started off in people’s minds.
Imaginary? Not that much. When Bram Stoker wrote his famous novel, he just “stole” an actual historical figure and turned it into a literary myth, the way he wanted. Dracula actually existed. He was Vlad Ţepeş, voivod of Wallachia, who was born in 1431, ruled what is modern Romania and went down in history and legend as Vlad the Impaler. The nickname refers to his harsh, inhuman rule, and his preferred method of execution, which was impalement. He was a son of Vlad Dracul, who had acquired his second name when he was made a knight of the Teutonic Order of the Dragon. Drăculea, or Dracula, means “son of the Dragon”.
Vlad Ţepeş is honoured as a national hero in Romania because he found a bunch of clans and tribes and turned them into a nation and a state. Of course, he had to impale a lot of people to manage that. He wiped out entire towns and villages, slaughtered and impaled Turks galore, exterminated German tradesmen, wherever he found them. He was a cruel ruler, fought ruthlessly against the Turks in 1461, alternately allied himself and warred with all his neighbours, his reputation was enough to spread terror, but Bucharest became a proper state capital. His state knew days of prosperity and its citizens got justice. It is said he mercilessly hunted cunning or lazy women, whom he – naturally – impaled.
That historical figure became an undead vampire, and that is how he established himself in people’s memory. Local legend even mentions that the real Dracula, Vlad Ţepeş, was slain by treachery in battle, buried in secret, and when his grave was opened, years later, there was a horse’s skeleton in it. Thank goodness Stoker did not know that legend too, otherwise the entire world today would be sure that, apart from a bat hanging from the ceiling, Dracula can turn himself into a horse as well. Perhaps a winged one, a Pegasus with long, sharp canines.
© Dimitris Kambourakis 2003, All Rights Reserved
Translation from the Greek © M.A.K. 2008, All Rights Reserved
Posted by Mary Contrary 